Designer omer arbel series#

Designer omer arbel series#

Spherical glass as fierce as molten lava an angular furniture set cocooned amongst a cave-like canopy a nest of elongated, spindly arms attached to a series of bronzed bulbs these are all but a few elements making up the portfolio of Omer Arbel, a Vancouver-based artist and designer known for his experimental approach to processes and materiality.

The pendants hang in shape of a hexagonal bouquet, bundled together by an adjustable ring, which changes the curvature of the piece and its proportional reading.The Vancouver-based artist and designer publishes his first monograph, replete with experiments in lighting, sculpture, design and architecture 86.3. 28s are possible with infinite versatility in colour compositions, sizes and shapes.Ģ8.3 is a cluster of three 28 pendants hung from a round canopy. Standard 28s are made with clear glass exterior spheres and milk white interior lamp holder cavities. The result is a distorted spherical shape with a composed collection of imploded inner shapes, one of which acts as a shade for the light source. Individual 28 pendants result from a complex glass blowing technique whereby air pressure is intermittently introduced into and then removed from a glass matrix which is intermittently heated and then rapidly cooled. Instead of designing form itself, here the intent was to design a system of making that yields form. The pendants hang in shape of a hexagonal bouquet, bundled together by an adjustable ring, which changes the curvature of the piece and its proportional reading.Ģ8 is an exploration of specificity in manufacturing. See spec sheet under the Downloads tab for all pendant colours available.Ģ8.19 is a cluster of nineteen 28 pendants hung from a round canopy.

Additional suspension length and canopy finishes also available at extra charge. Custom sized and coloured pendants are available at extra charge (10in maximum pendant diameter). Pricing applies to default 16.5cm diameter clear glass pendants only. This humble commitment is what gives his work such vitality while remaining grounded, the perfect balance of concept and reality.Ģ8.19 Cluster Suspension (Clear Pendants)

Omer Arbel has earned many awards and received many richly-deserved honours, not least of which was being selected to co-design the medals for the 2010 Olympic games in Vancouver-and yet, his motivation remains the work, and the celebration of inner life of each individual material. Each project is numbered, in sequence, and the lucky few experiments that become lights or furniture or even houses (23.2, located in South Surrey, British Columbia) bear their numbers as names, so that their essential identities are not inflicted upon them by linguistic metaphor. Instead of visualizing a concept and finding the medium to suit it, he chooses a material and then finds what he can draw out of it. in Environmental Science from the University of Waterloo in 1997, developing the scientific approach that would define his design experiments.Įach Omer Arbel project begins with the materials. In his youth, he became a nationally-ranked championship fencer, interpreting into athleticism the elan and finesse that would one day mark his designs. Omer Arbel’s work is drawn organically from the nature and characteristics of its media in much the way Arbel himself was carved from the events of his life.īorn in Jerusalem, Israel, his family moved to Vancouver, Canada when Arbel was thirteen.